Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Wednesday, March 16, 2011

Abstract Boston?



Boston from the Footbridge
9" x 12" x 1.5"
Oil with a palette knife on cradled board
SOLD


I thought the shapes in the reference photo I used for this painting had a very abstract feel and I tried to capture that in this painting.

Of course, I couldn't resist adding just a few windows. And I tried something new in the reddish building in the back. I scraped away the paint with the knife to create the feel of a row windows instead of painting them on top.

Wednesday, November 18, 2009

Abstract #2


Looking Down
Oil with a palette knife on canvas paper
8" x 8"
Click on the image to enlarge
SOLD

This is my entry to the latest challenge from Karin Jurick's blog, Different Strokes from Different Folks. Like the last challenge, I was trying to paint just the shapes I saw to keep it as abstract as I could. The photo was full of straight lines and angles-difficult to achieve with a palette knife, so I told myself that they didn't need to be perfectly straight and to just let go and had fun. This was the first time I painted while looking at the image projected on my computer screen. In the past I have printed out a color copy and painted from that. I'm curious what others artist do. Do you print out Karin's photo or do you project in on your computer or do you use some other method?

Wednesday, October 28, 2009

Abstract #1



Abstract #1
Oil with a palette knife on canvas paper
8" x 8"
SOLD

Here is my entry for the latest challenge from Karin Jurick's blog Different Strokes from Different Folks. It was a photo of rooftops in San Francisco. I really, really tried to keep it to just abstract shapes but then couldn't help myself by putting in a more details. It was fun to lay in big areas of flat color with the palette knife. Karin was right when she said that this was a perfect challenge with respect to value and mixing colors. I painted this all in one sitting last night because I really like to work wet into wet. And it's easier to scrape off areas that aren't working. I call it Abstract #1 because you never know what someone else might see in it, and perhaps it may become a series. Who knows? 
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